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When we think about the two central concepts of this exhibition – screen and archive – it’s obvious that photographic images are native inha...
Estonian art 17/2
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I had to open a new personal e-mail account recently, an action one rarely does these days. A long time has gone by since I signed up for my...
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Tõnis Vint (b.1942) is a legendary figure in Estonian art of the second half of the 20th century. From the late 1960s on, the works of Vint,...
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In his book “B is for Bauhaus: An A-Z of the Modern World”, Deyan Sudjic, the director of The Design Museum in London, under “C” states: “It...
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Art and technology in the twenty-first century are no longer segregated, as they were in the past. The increase in artistic activities using...
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“The convergence of biotechnology and IT, applied to landscape and urban design, is one of the more promising future developments for our ci...
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Interview with Gilles Retsin
In February, Belgian architect Gilles Retsin won the international TAB Installation Programme open call to b...
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Ah, all is symbols and analogies!
The wind on the move, the night that will freeze,
Are something other than night and a wind –
Shadows o...
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“And yet we do not want to create empty hype or package a 'hot young scene.'”[1]
– Massimiliano Gioni
"Artists' Spaces. 16 studio visits"...
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There has to be a way to imagine a suitable, necessary and household sci-fi future, in which the today is already tomorrow. If we do not kn...